Search By Orchestral Repertoire
Composer | Title | Size | Solo with Ensemble | Duration Range | Level | Orchestration |
---|---|---|---|---|---|---|
Daniel Bernard Roumain | Grace | Chamber Orchestra | 5-10 | Professional | 1111; 1110; 1 Percussion; 2 Soprano voices; Strings; Electric Bass | |
James Lee, III | Emotive Transformations | Full Orchestra | 10-20 | Professional | 2222; 2200; timp; stgs | |
William Grant Still | Florida Blues | Full Orchestra | Professional | 1.0.1.0 /0.2(cornets).1.0 / 2 perc (drums, cymbs., trian., block.) /pno / str | ||
William Grant Still | Puritan Epic | Professional | ||||
Andre Myers | Let Evening Come | Chamber | 5-10 | Professional | 2222-2hn, 2trpt, 2 trb-pn-timp, 1 perc-strings | |
William Grant Still | Preludes | String Orchestra | Chamber | 10-20 | Professional | string orchestra, flute, pno. | |
Dorothy Rudd Moore | Symphony No. 1 | Full Orchestra | 10-20 | Professional | Picc, Bcl, Cbn, 2[1.2/pic] 2[1.2/Bcl] 3 2[1.2/Cbn]-4331-timp-perc(3)-str | |
Earl Lewis Stewart | Corsica | Chamber | Viola | Under 5 | Professional | |
William Grant Still | A Deserted Plantation (version 2) | Full Orchestra | Two Pianos | 10-20 | Professional | 1.1+EH.3.0+4 sax/0.3.3.1 / 1 perc /banjo+guitar/cel, 2 pianos/ str |
Carlos Simon | The Block | Full Orchestra | 5-10 | Professional | 2 2 2 2 — 2 2 2 1 — tmp+3 —hp — pno — str |