Search By Orchestral Repertoire
| Composer | Title | Size | Solo with Ensemble | Duration Range | Level | Orchestration |
|---|---|---|---|---|---|---|
| Bill Banfield | I Trust Harlem choral symphony 12 | Professional | ||||
| Kevin Day | Lightspeed | Full Orchestra | Under 5 | Professional | 3.2.2.2/2.2.3.1/Timp + 2 perc./Pno, Strings | |
| K. L. Scott | Ben-Hur: Symphonic Studies for String Orchestra | String Orchestra | 20+ | Professional | Strings | |
| Julia Perry | Pastoral | Septet | Under 5 | Professional | Fl, 2 Vns, 2 Vlas, 2 Vcs | |
| Hall Johnson | The Princeton Grand March (Nightingale) | Full Orchestra | Professional | 2[1.2/pc] 222-4231-tmp, bdr, cym, str | ||
| Anthony Davis | You Have the Right to Remain Silent | Full Orchestra | Clarinet | 20+ | Professional | 1.1.1.1-1.1.1.0-2perc(I. drum set; II. vib, mar; 4timp[shared by I. & II.])-hp-str |
| Rick Robinson | Pork ‘n Beans (A DE-troit Counterpoint) | Full Orchestra | 10-20 | Professional | 2222,2220, Timp + 1, strings Percussion is trapset, shaker, cowbell | |
| Julia Perry | Soul Symphony | Full Orchestra | Professional | 2[1/pic.2/pic] 2 2 2 — tsx — 2 2 2 1[baritone] — tmp+3 — pf/cel — hp — baritone voice — str | ||
| Philip Herbert | Elegy: In Memorium - Stephen Lawrence | String Orchestra | 5-10 | Collegiate and above | Strings | |
| Andre Myers | apex of R | Chamber | Countertenor | 10-20 | Professional | 1111-2hn-pn-1perc-strings |