Search by Vocal Repertoire
Composer | Title | Collection | Voice Type | Range | Poet |
---|---|---|---|---|---|
William Grant Still | Now They Will Be Coming to the Tree, A Bayou Legend | Arias, Duets, and Scenes from the Operas, Volume 2: Arias for Tenor, Baritone, and Bass | Mezzo-Soprano | D#4 - F#5 | Optional A5 | Verna Arvey |
Trevor Weston | There is a Balm in Gilead | Voice | Biblical | ||
Dave Ragland | Steal Away | Spirituals | Voice | Eb4 - G5 | Biblical |
T.J. Anderson | Confession | Songs of Illumination for Soprano, Tenor, and Piano | Soprano | D4 - B5 | C3 - Bb4 | T. J. Anderson III |
Hale Smith | To A Little Lover-Lass, Dead | Beyond the Rim of Day, Three Songs for High Voice & Piano | High | C4 - A5 | Langston Hughes |
Duke Ellington | In the Beginning God | Sacred Concert No. 1 | Voice | B3 - F5 | Duke Ellington |
Adolphus Hailstork | Debt | Lollipops | Soprano | Eb4 - G5 | Sara Teasdale |
Margaret Bonds | Peter, Go Ring Dem Bells | Voice | Bb3 - Eb5 | Biblical | |
Olly Wilson | Wry Fragments (II) | Voice | E3 - D4 | James Cunningham | |
Samuel Coleridge-Taylor | Too Late for Love | Sorrow Songs, Op. 57 | Voice | B3 - Eb5 | Christina G. Rossetti |