Search by Vocal Repertoire
| Composer | Title | Collection | Voice Type | Range | Poet |
|---|---|---|---|---|---|
| Maud Cuney Hare | Quand Moté Jeune (Bal Fini) | Six Creole Folk Songs | Voice | D4 - G5 | Creole Folk Songs |
| Scott Joplin | A Real Slow Drag from Treemonisha | Treemonisha | Voice | F#4 - Bb5 | Scott Joplin |
| M. Roger Holland, II | Down By The River | High | Medium | Low | F4 - Bb5 | D4 - G5 | C4 - F5 | Biblical | |
| William Grant Still | All God's Chillun Got Shoes | Voice | D4 - B4 | Biblical | |
| Adolphus Hailstork | I Loved You | A Charm at Parting | Voice | B3 - F5 | Alexander Pushkin, trans. Zola Essman |
| Samuel Coleridge-Taylor | No. 4: Sweet Evenings Come and Go Love | Op. 37 | Low | F4 - Ab5 | George Eliot |
| Hannah Kendall | The Knife of Dawn | Baritone | |||
| Edward Boatner | What You Goin' To Name The Baby | The Story of the Spirituals: 30 Spirituals and their Origins | Voice | F#4 - F#5 | Biblical |
| Noel DaCosta | III (fleeing the hunter…) | Four Haiku Settings | Soprano | D4 - D5 | Basho Matsuo |
| William H. Henderson | How Should I Your True Love Know | Five Songs for Soprano and Piano | Voice | Bb3 - E5 | William Shakespeare |