Search By Orchestral Repertoire
| Composer | Title | Size | Solo with Ensemble | Duration Range | Level | Orchestration |
|---|---|---|---|---|---|---|
| Coleridge-Taylor Perkinson | Freedome-freedom | Chamber Orchestra + Chorus | 5-10 | Professional | SATB, 2 pianos, electric bass, 1 perc | |
| Billy Childs | Tone Poem | Full Orchestra | Professional | |||
| George Walker | Hoopla: A Touch of Glee | Full Orchestra | 5-10 | Professional | 2.2+EH.2+BCl.2+Cbsn:4.4.3.1: Timp.Perc.Hp: Str | |
| Willis L. Barnett | Perspectives | String Orchesra | Professional | str | ||
| Frederick C. Tillis | Chamber Orchestra | Flute Trio (Flute, Alto Flute, Picc) | Professional | |||
| Clarence Cameron White | Violin Concerto in G Minor, Opus. 63 | Full Orchestra | Violin | Professional | ||
| Nkeiru Okoye | Songs of Harriet Tubman | Full Orchestra | Soprano | 20+ | Professional | soprano - 2[1.2/pic] 1/Eh 2[1.2/Bcl] 1 - 4221 - Tmp+3Perc - Pf - Str |
| Yusef Lateef | The African American Epic Suite | Chamber | Quintet | 20+ | Professional | 111[1/Bbcl]1[1/Cbn]]-4431-timp-perc-hp-str |
| Andre Myers | Changes | Chamber | 5-10 | Professional | 1111-pn-1perc-strings | |
| Nathaniel Dett | The Ordering of Moses | Full Orchestra with Chorus | SATB | 20+ | Professional | SATB soli, SSAATTBB, 2222 p, 4321, timp, harp, organ, strings |