Search By Orchestral Repertoire
| Composer | Title | Size | Solo with Ensemble | Duration Range | Level | Orchestration |
|---|---|---|---|---|---|---|
| William Grant Still | Here's One: A Still Medley | Full Orchestra | Mezzo-soprano | Baritone | Under 5 | Professional | 2.1+EH.2.2/2.2.2.1/timp+2 (cymb., sn. dr)/ hp. or pno/str + mezzo or bar. soloist. |
| Hale Smith | Lift every voice and sing | Full Orchestra | Under 5 | Professional | orchestra and choir | |
| Adrian Gordon | Street Strings | String Orchestra | Under 5 | Grade 3 | str | |
| Frederick C. Tillis | Poem for Orchestra No. 4 | Full Orchestra | 10-20 | Professional | ||
| Margaret Bonds | The Ballad of the Brown King | Full Orchestra and Chorus | Soprano, Alto, Tenor, Baritone | 20+ | Professional | 2[1.2/pic] 2 2 2 — 2 2 2 0 — tmp+1 — hp — cel — str, SATB |
| Gussie Lord Davis | My Creole Sue (arranged by H. Alberti) | Full Orchestra | Cornet and Trombone | Professional | 1121-2hn, drm, pn, str | |
| Ulysses Kay | A short overture, W27 | Full Orchestra | 5-10 | Professional | 2222 (p), 2210, timp, perc, strings | |
| David Baker | The Masque of the Read Death Ballet Suite | Full Orchestra | 20+ | Professional | 2[1.2/pic] 22 2[1.2/Cbn]-4331-timp-2perc-str | |
| Shelley Washington | The Farthest | Chamber + Choir | 5-10 | Professional | SSSAAA Choir and Chamber Ensemble | |
| William Grant Still | Legend | Full Orchestra | Professional | 3(2nd=picc).2+EH.3.2/4.3.3.1/timp+2 (trian., tamb., marimba, cymbs., tom-toms)/ hp, cel / str |