Robert Owens
1925 - 2017
About
Robert Owens, a native of Denison, Texas, was known as one of the leading names in the late 20th and early 21st century within the genre of African American art song. He gained notoriety as a concert pianist, vocal accompanist, composer, and stage and television director. Learning to play the piano at a young age from his mother, Owens composed his first piano and art songs in his high school years and continued to develop his talent under Genevieve Longrus and Dora O’Neill.
After his time in the military, he continued his education in Europe and studied with various professors such as Jules Genty, Alfred Cortot, and Grete Hinterhofer. Owens briefly came back to America to pursue a teaching position in Georgia. It was during this time that he was introduced to the African American poet Langston Hughes and wrote two song cycles based on his poetry, Silver Rain and Tearless. Once back in Europe, Robert Owens settled in Hamburg, Germany and resumed composing and started acting to support his career. At the end of his life, the composer still considered Hamburg his home, however he occasionally returned to the States as an artist-in-residence at various educational institutions such as University of Michigan and University of Wisconsin.
Related Information
https://artsongalliance.org/composers/robert--owens
Works by Robert Owens
| Title |
Collection |
Voice Type |
Range |
Poet |
|
Grief
|
Tearless Op. 9
|
Baritone
|
C3 - F3
|
Langston Hughes
|
|
Gypsy Melodies
|
Border Line, Op. 24
|
Voice
|
C4 - D5
|
Langston Hughes
|
|
Havana Dreams
|
Heart on the Wall (5 Songs for Soprano and Piano)
|
Soprano
|
Eb4 - Cb6
|
Langston Hughes
|
|
Heart
|
Heart on the Wall (5 Songs for Soprano and Piano)
|
Soprano
|
D4 - A5
|
Langston Hughes
|
|
Heisser Sommerlach atem
|
The Robert Owens Songbook
|
Voice
|
A3 - D4
|
R. Roeder
|
|
Heisser Sommerlach atem
|
Traum, op. 22
|
Voice
|
A3 - D4
|
R. Roeder
|
|
Home in a Dat Rock
|
A Cycle of Six Negro Spirituals for Bass and Piano
|
Bass
|
A2 - D4
|
Biblical
|
|
Hope
|
Four Motivations, Op. 21
|
Baritone
|
C3 - Eb 4
|
Emily Dickinson
|
|
I. I am Part of the Load
|
Two Songs for Mezzo-Soprano & Cello, Op. 120
|
Mezzo-Soprano
|
Bb3 - G5
|
Jalal ad-Din Muhammad Rumi
|
|
I. The Lame Goat
|
Four Songs for Mezzo-Soprano & Viola, Op. 121
|
Mezzo-Soprano
|
A3 - E5
|
Jalal ad-Din Muhammad Rumi
|
|
I. to Elenora Duse "Oh Beauty..."
|
4 Sonnets to Duse, Op. 102
|
Soprano
|
C4 - G5
|
Sara Teasdale
|
|
If
|
Images: Three Songs for a High Voice and Piano, Op. 15
|
Voice
|
Db4 - Ab5
|
Paul Laurence Dunbar
|
|
If We Must Die
|
3 Songs, Op. 41
|
Baritone
|
G2 - Eb4
|
Claude McKay
|
|
II. A Craftsman
|
Four Songs for Mezzo-Soprano & Viola, Op. 121
|
Mezzo-Soprano
|
D4 - D5
|
Jalal ad-Din Muhammad Rumi
|
|
II. Drum sound rises on the air
|
Two Songs for Mezzo-Soprano & Cello, Op. 120
|
Mezzo-Soprano
|
A3 - F5
|
Jalal ad-Din Muhammad Rumi
|
|
II. to a picture of Elenara Duse in "The Dead City" "Your face is set"
|
4 Sonnets to Duse, Op. 102
|
Soprano
|
C4 - Fb5
|
Sara Teasdale
|
|
III. Humble Living
|
Four Songs for Mezzo-Soprano & Viola, Op. 121
|
Mezzo-Soprano
|
D4 - E5
|
Jalal ad-Din Muhammad Rumi
|
|
III. To a picture of Eleonara Duse in "The Dead City" "the Venus..."
|
4 Sonnets to Duse, Op. 102
|
Soprano
|
Db4 - Gb5
|
Sara Teasdale
|
|
Im Nebel
|
3 Lieder for Baritone, Op. 20
|
Baritone
|
C3 - Eb4
|
Hermann Hesse
|
|
In meinen Träumen
|
The Robert Owens Songbook
|
Voice
|
B3 - Eb5
|
R. Roeder
|
|
In meinen Träumen
|
Traum, op. 22
|
Voice
|
B3 - Eb5
|
R. Roeder
|
|
In Time of Silver Rain
|
Silver Rain, Op. 11
|
Tenor
|
Eb3 - G4
|
Langston Hughes
|
|
IV. To a picture of Eleonara Duse as "Francesca da Rimini"
|
4 Sonnets to Duse, Op. 102
|
Soprano
|
Fb4 - Ab5
|
Sara Teasdale
|
|
IV. Wax
|
Four Songs for Mezzo-Soprano & Viola, Op. 121
|
Mezzo-Soprano
|
C4 - F5
|
Jalal ad-Din Muhammad Rumi
|
|
Jaime
|
Mortal Storm, Op. 29
|
Baritone
|
C3 - Eb4
|
Langston Hughes
|
|
Jeannie
|
The Robert Owens Songbook
|
Bass
|
G3 - C5
|
Stephen Foster
|
|
Jeannie
|
Stephen Foster Arrangements
|
Bass
|
G3 - C5
|
Stephen Foster
|
|
Juliet
|
Desire (Song Cycle for Tenor and Piano)
|
Tenor
|
E3 - F#4
|
Langston Hughes
|
|
Kindheitsberg wird sum Hügel meiner selbst
|
The Robert Owens Songbook
|
Voice
|
G3 - Eb5
|
R. Roeder
|
|
Kindheitsberg wird sum Hügel meiner selbst
|
Traum, op. 22
|
Voice
|
G3 - Eb5
|
R. Roeder
|
|
Landstreicherherberge
|
The Robert Owens Songbook
|
Voice
|
Bb3 - D5
|
Herman Hesse
|
|
Landstreicherherberge
|
Two Herman Hesse Songs
|
Voice
|
Bb3 - D5
|
Herman Hesse
|
|
Le Dormeur du val
|
Rimbaud Cabaret, Op. 101
|
Countertenor
|
F3 - Eb5
|
Arthur Rimbaud
|
|
Little Song
|
Mortal Storm, Op. 29
|
Baritone
|
G3 - C4
|
Langston Hughes
|
|
Luck
|
Tearless Op. 9
|
Baritone
|
Bb2 - Db4
|
Langston Hughes
|
|
Man
|
Desire (Song Cycle for Tenor and Piano)
|
Tenor
|
E3 - F#4
|
Langston Hughes
|
|
Manche Freilich
|
Three Lieder, Op. 47
|
Voice
|
Bb3 - Eb5
|
Hugo von Hofmannsthal
|
|
Montmartre
|
Border Line, Op. 24
|
Voice
|
D4 - C5
|
Langston Hughes
|
|
Morgendämmerung
|
3 Lieder, Op. 19
|
Mezzo-Soprano
|
B3 - D5
|
Joseph von Eichendorff
|
|
Night Song
|
Silver Rain, Op. 11
|
Tenor
|
G3 - F#4
|
Langston Hughes
|
|
Night: Four Songs
|
Border Line, Op. 24
|
Voice
|
C4 - D5
|
Langston Hughes
|
|
No Images
|
Images: Three Songs for a High Voice and Piano, Op. 15
|
Voice
|
Eb 4 - A5
|
Waring Cunney
|
|
O Susanna
|
The Robert Owens Songbook
|
Voice
|
D4 - B4
|
Stephen Foster
|
|
O Susanna
|
Stephen Foster Arrangements
|
Voice
|
D4 - B4
|
Stephen Foster
|
|
Oh! Snatched Away in Beauty's Bloom
|
Stanzas for Music: Four Songs for Tenor and Piano
|
Tenor
|
D3 - G4
|
Lord Byron
|
|
One
|
Border Line, Op. 24
|
Voice
|
C4 - B4
|
Langston Hughes
|
|
Po' Mourners Got A Home At Las'
|
A Cycle of Six Negro Spirituals for Bass and Piano
|
Bass
|
B2 - D4
|
Biblical
|
|
Poppy Flower
|
Border Line, Op. 24
|
Voice
|
G#3 - C#5
|
Langston Hughes
|
|
Prayer
|
Tearless Op. 9
|
Baritone
|
Ab2 - Eb4
|
Langston Hughes
|
|
Rages de Césars
|
Rimbaud Cabaret, Op. 101
|
Countertenor
|
A3 - E5
|
Arthur Rimbaud
|