Composers
Tania Justina León
1943 -About
Tania Leon (b. 1943), from Havana, Cuba, is highly regarded as a composer and conductor and recognized for her accomplishments as an educator and advisor to arts organizations. She has been profiled on ABC, CBS, CNN, PBS, Univision, Telemundo, and independent films. León has also received Honorary Doctorate Degrees from Colgate University, Oberlin, and SUNY Purchase College, and has served as U.S. Artistic Ambassador of American Culture in Madrid, Spain. A Professor at Brooklyn College since 1985 and at the Graduate Center of CUNY, she was named Distinguished Professor of the City University of New York in 2006. In 2010 she was inducted into the American Academy of Arts and Letters. Her works have been performed by such orchestras as the Gewaundhausorchester, L'Orchestre de la Suisse Romande, the China National Symphony, and the NDR Orchestra. She has collaborated with authors and directors including John Ashbury, Margaret Atwood, Rita Dove, Jamaica Kincaid, Mark Lamos, Julie Taymor, and Derek Walcott. León's opera Scourge of Hyacinths, based on a play by Wole Soyinka with staging and design by Robert Wilson, received over 20 performances throughout Europe and Mexico. Commissioned by Hans Werner Henze and the city of Munich for the Fourth Munich Biennale, it took home the coveted BMW Prize. The aria "Oh Yemanja" ("Mother's Prayer") was recorded by Dawn Upshaw on her Nonesuch CD, "The World So Wide." Her honors include the New York Governor's Lifetime Achievement Award, Symphony Space's Access to the Arts, the American Academy of Arts and Letters Award, and the Fromm, Koussevitzky, and Guggenheim Fellowships. In 2012 she received both a Grammy nomination (for "Best Contemporary Classical Composition") and a Latin Grammy nomination (for "Best Classical Contemporary Composition") and in 2013 she was the recipient of the prestigious 2013 ASCAP Victor Herbert Award.
Related Information
http://www.tanialeon.com, http://chevalierdesaintgeorges.homestead.com/leon.html
Works by Tania Justina León
Title | Collection | Voice Type | Range | Poet |
---|---|---|---|---|
Canto Negro | Pueblo Mulato for Soprano and Mixed Quintet | Soprano | B3 - B5 | Nicolas Guillen |
Eating Fire | Atwood Songs | Soprano | E4 - A6 | Margaret Atwood |
Eating Fire | Soprano | E4 - A5 | Margaret Atwood | |
Four Evasions | Atwood Songs | Soprano | Eb4 - B5 | Margaret Atwood |
Habitation | Atwood Songs | Soprano | Db4 - A5 | Margaret Atwood |
Memory | Atwood Songs | Soprano | B3 - B5 | Margaret Atwood |
Mood 1 | To and Fro | Mezzo-Soprano | G3 - B5 | Alison Knowles |
Mood 2 | To and Fro | Mezzo-Soprano | B3 - F5 | Alison Knowles |
Mood 3 | To and Fro | Mezzo-Soprano | G3 - G5 | Alison Knowles |
Mood 4 | To and Fro | Mezzo-Soprano | G3 - B5 | Alison Knowles |
Notes towards a poem that can never be written | Thoughts of Idle Hours, Three Poems | Soprano | C4 - Bb5 | Margaret Atwood |
Organillo | Pueblo Mulato for Soprano and Mixed Quintet | Soprano | F# 3 - D#5 | Nicolas Guillen |
Quirino | Pueblo Mulato for Soprano and Mixed Quintet | Soprano | A3 - G# 5 | Nicolas Guillen |
Title | Published | Size | Solo with Ensemble | Duration Range | Level | Orchestration |
---|---|---|---|---|---|---|
Acana | Yes | Full Orchestra | 10-20 | Professional | 2[1.2/picc] 2 2[1.2/Bcl] 2-2221-perc(2)-pf-str | |
Batá | Yes | Full Orchestra | 10-20 | Professional | 2[1.2/pic] 2[1.2/Eh] 2[1.2/Bcl] 2-2221-perc(2)-hp-cel-str | |
Bele | Yes | Chamber | 10-20 | Professional | 2000-0430-perc-pf-str | |
Carabali | Yes | Full Orchestra | 10-20 | Professional | 3[1.2.3/picc] 2[1.2/Eh] 2[1.2/Bcl] 2[1.2/Cbn]-4331-timp-perc(3)- hp-pf-cel-str | |
Concerto Criollo | Yes | Full Orchestra | Piano and Timp. | 20+ | Professional | 2222-4430-str |
Desde... | Yes | Full Orchestra | 10-20 | Professional | 3[1.2.3/picc] 2[1.2/Eh) 2[1.2/Bcl] 2[1.2/Cbn]-4332-timp-perc(3)-hp-pf/cel-str | |
Didn't My Lord Deliver Daniel | Yes | Full Orchestra | Baritone | under 5 | Professional | 3222-2230-timp-str |
Horizons | Yes | Full Orchestra | 10-20 | Professional | 2[1.2/pic] 2[1.2/Eh] 2[1.2/Bcl] 2[1.2/Cbn]-4300-timp-perc(2)- str | |
Inura | Yes | String | 20+ | Professional | perc(5)-str SATB Chorus | |
Kabiosile | Yes | Full Orchestra | Piano | 5-10 | Professional | 2[1.2/pic] 2[1.2/Eh] 2[1.2/Bcl] 2[1.2/Cbn]-4230-timp-perc-str |
Para Viola y Orquesta | Yes | Full Orchestra | Viola | 10-20 | Professional | 2(picc, AltFl)22(Bcl)2(Cbn)-2210-timpperc(2)-cel-str |
Seven Spirituals | Yes | Full Orchestra | Baritone | 20+ | Professional | 2[1.2/pic]111-2211-2perc-pf, str |
The Golden Windows | Yes | Chamber | 20+ | Professional | 21.2/picc/AltFl] 1[1/Eh]00-0100-perc-hpsd-pf-st | |
Tones | Yes | Full Orchestra | 10-20 | Professional | 2210-1011-timp-perc(2)-pf-str |
Composer | Title | Work | Instrumentation | Level | Number of Movements | Accompanied | Size | Duration Range |
---|---|---|---|---|---|---|---|---|
Tania Justina León | Prelude No. 1 "Sorpresa" (Surprise) | Piano | 1 | No | Solo | |||
Tania Justina León | Prelude No. 2 "Pecera" (Aquarium) | Piano | 1 | No | Solo |