Composers
H. Leslie Adams
1932 - 2024About
Leslie Adams is considered one of the modern leading composers in African American Art song. He wrote many songs for voice and piano and was equally at ease writing for orchestra, chamber ensemble, organ, piano, and chorus.
Adams received his primary education from Cleveland, Ohio public schools training with Mina Eichenbaum, Dorothy Smith, Howard Tucker. He went to Oberlin College Conservatory of Music to study composition with Herbert Elwell and Joseph Wood; voice with Robert Fountain; and piano with Emil Danenberg for his Bachelors. Adams completed his Masters in 1967 at California State University under the tutelage of Leon Dallin and Robert Tyndall and earned his Ph. D at Ohio State University with Marshall Barnes. In addition to these degrees, Leslie Adam pursued post-graduate studies with Edward Mattila and Eugene O’Brien while also studying privately with Robert Starer, Vittorio Giannini, and Marcel Dick.
He took on the role of piano accompanist for various ballet and dance companies (including studios of Ballet Russe, Robert Joeffrey and June Taylor); received numerous performances of his compositions by a variety of artists (including a composer debut at Judson Hall); and held positions at Florida A&M University and University of Kansas as assistant professor of music.
Leslie Adam’s talent earned him multitudes of awards, the highest among them being the National Award for Original Composition for Choral Art and the National Endowment for the Arts Award.
Before his passing in 2024, he acted as artisit-in-residence and President of Creative Arts, Inc., artist-in residence at Seifullah, and music director of Grace Presbyterian Church in Ohio.
Related Information
https://en.wikipedia.org/wiki/Leslie_Adams_(composer)Works by H. Leslie Adams
| Title | Collection | Voice Type | Range | Poet |
|---|---|---|---|---|
| Advocation | Collected Songs | Medium High | C4 - Ab5 | Suzanne Hassler |
| Alone | Collected Songs | Medium High | C#5 - A5 | Nikos Valance |
| Amazing Grace | Collected Songs | High, Low | C#4 - G5 | A3 - Eb5 | Leslie Adams |
| Anniversary Song | Daybirth | Medium | Db4 - F5 | Joette McDonald |
| Blake's Monologue ("I Come to This Place") | Selected Arias & Duets from Blake | Tenor | F3 - B4 | Daniel E. Mayers (Libretto) |
| Branch by Branch | Five Millay Songs | High, Medium, Low | B3-C#5 | C4-D5 | D4-E5 | Edna St. Vincent Millay |
| Cantus | Daybirth | Medium | C4 - E5 | Joette McDonald |
| Christ at a Wedding (Love Union) | Daybirth | Medium Low | Db4 - Eb5 (Opt. Ab3 - Ab5) | Joette McDonald |
| Christmas Lullaby | Collected Songs | High | D4 - Gb5 | Leslie Adams |
| Coming back to Cleveland | Daybirth | Low, Medium, High | G3 - Bb4 (Opt. Db5) | A3 - C5 (Opt. Eb5) | B3 - D5 (Opt. F5) | Joette McDonald |
| Contentment | Daybirth | High | E4 - Ab5 | Joette McDonald |
| Creole Girl | Nightsongs | Low, Medium, High | Db4 - A5 | Bb3 - F#5 | Gb3 - D5 | L. Morgan Collins |
| Daybirth | Daybirth | Medium High | Db4 - Ab5 | Joette McDonald |
| Dream Song | Collected Songs | High, Medium, Low | Db4 - Ab5 | B3 - F#5 | A3 - E5 (opt. F#5) | Leslie Adams |
| Drums of Tragedy | Nightsongs | Low, Medium, High | Eb4 - Bbb5 | C4 - Gb5 | Bb3 - F5 | Langston Hughes |
| Flying | Daybirth | High | D4 - Ab5 | Joette McDonald |
| For you there is no song | Five Millay Songs | High, Low, Medium | D4 - A5 | Ab3 - Eb5 | Bb3-F5 | Edna St. Vincent Millay |
| From a Hotel Room | Daybirth | High, Low | F#4 - Bb5 (Optional Db6) | B3 - D#5 | Joette McDonald |
| Gone Again Is Summer the Lovely | Five Millay Songs | Low, Medium, High | C#4 (Opt. A3) - D#5 | D4 (Opt. Bb3) - E5 | E4 (Opt. C4 - F#5 | Edna St. Vincent Millay |
| Has he come... O Miranda | Selected Arias & Duets from Blake | Soprano, Baritone | Soprano: E4 - A5 | Baritone: C#3 - E4 | Daniel E. Mayers (Libretto) |
| He (She) (They) Gave Me A Rose | Dunbar Songs | Medium High | D4 - A5 | Paul Laurence Dunbar |
| Homesick Blues | The Wider View | High, Low | F4 - G#5 | C4 - D#5 | Langston Hughes |
| I Hear Your Voice So Clearly (Love Duet) | Selected Arias & Duets from Blake | Tenor, Soprano | Db3 - Bb4 | Eb4 - B6 | Daniel E. Mayers (Libretto) |
| In the Midnight of my Soul | Daybirth | Medium Low | Bb3 - Eb5 (Opt. Ab3) | Joette McDonald |
| Li'l Gal / My Man | The Wider View | High | D4 - Ab5 | (Optional C6) | Paul Laurence Dunbar |
| Love Come and Gone | The Wider View | High | E4 - F#5 | (Optional A5) | Georgia Douglas Johnson |
| Love Memory | Collected Songs | High, Low | Eb4 - Ab5 | C4 - F5 | Paul Laurence Dunbar |
| Love Rejoices | The Wider View | High | Db4 - A5 | James Dillet Freeman |
| Love Request | Daybirth | Medium | Db4 - Eb5 | (Optional Ab5) | Joette McDonald |
| Love Response | Collected Songs | High, Low | G4 - G5 | (Optional B5) | Eb4 - Eb5 (Optional G5) | Paul Laurence Dunbar |
| Lullaby Eternal | Daybirth | High, Medium, Low | Db4 - Ab5 | Bb3 - F5 | Ab3 - Eb5 | Joette McDonald |
| Midas, Poor Midas | Daybirth | High | Eb4 - D6 | Joette McDonald |
| Miranda's Arioso & Lullaby | Selected Arias & Duets from Blake | Soprano | Eb3 - A5 | Daniel E. Mayers (Libretto) |
| My new-found Friends | Selected Arias & Duets from Blake | Tenor | D3 - C5 | Daniel E. Mayers (Libretto) |
| Night people | Daybirth | Medium High | E4 - F#5 | Joette McDonald |
| Night Song | Nightsongs | High, Medium, Low | G3 - D5 | Bb3 - F5 | D4 - A5 | Clarissa Scott Delany |
| Oh John, My Love | Selected Arias & Duets from Blake | Tenor, Soprano | Tenor: C#3-F#4 (Opt. A4) | Soprano: C#4 - A5 | Daniel E. Mayers (Libretto) |
| On This Day | Daybirth | High, Medium Low | C4 - G5 | Ab3 - Eb5 | Joette McDonald |
| Our Losses will be great | Selected Arias & Duets from Blake | Baritone | A2-F4 | Daniel E. Mayers (Libretto) |
| Prayer | Nightsongs | High, Medium, Low | Bb3 - Db4 |Eb4 - Gb5| C4 - Eb5 | Langston Hughes |
| Prayer: O Sweet Jesus | Selected Arias & Duets from Blake | Soprano | E4 - Cb6 | Daniel E. Mayers (Libretto) |
| Sence you Went Away | Nightsongs | High, Low, Medium, Medium Low | A3 - B4 | C4 - D5 | D4 - E5 | E4 - F#5 | James Weldon Johnson |
| She stand there, like some dark angel | Selected Arias & Duets from Blake | Soprano, Mezzo-Soprano | Soprano: D4-Ab5 (opt. C6) | Mezzo Soprano: B3-F5 (opt. Ab5) | Daniel E. Mayers (Libretto) |
| Song of Solitude (Alone...) | Collected Songs | High | D4 (Opt. C#4) - A5 | Nikos Valance |
| Song of Thanks | Daybirth | Medium Low | Ab3 - E5 | Joette McDonald |
| Song of the Innkeeper's Children | Daybirth | High, Medium, Low | F#4 - G5 | E4 - F5 C#4 - D5 | Joette McDonald |
| Song to Baby Jesus | Daybirth | High, Medium, Low | D4 (Opt. B3) - G5 (Opt. Ab5) | C4 (opt. A3) - F5 (opt. Gb5) | A3 (opt. F#3) - D5 (opt. Eb5) | Joette McDonald |
| That Wild Fire (Isabella's Aria) | Selected Arias & Duets from Blake | Soprano | Eb4 - G5 | Daniel E. Mayers (Libretto) |
| The Heart of a Woman | Nightsongs | High, Medium High, Medium, Low | Eb4 - Ab5 | D4-G5 | C4-F5 | A3-D5 | Georgia Douglas Johnson |
| The Meadow Lark | Dunbar Songs | Medium High | D4 - Ab5 | Paul Laurence Dunbar |
| Title | Published | Size | Solo with Ensemble | Duration Range | Level | Orchestration |
|---|---|---|---|---|---|---|
| Citiscape (Piano Concerto) | Yes | Full Orchestra | Piano | 20+ | Professional | solo piano-2 2[1.2/Eh] 22-22 2[1.2/Btbn]-timp-2perc-str |
| Dunbar Songs | Yes | Full Orchestra | Soprano | Tenor | 20+ | Professional | 1[pic] 111-2000-timp-perc-hp-str-High Voice |
| Five Millay Songs | Yes | Full Orchestra | Medium voice | 10-20 | Professional | 1111-2000-Hp-str |
| Hymn To Freedom | Yes | Full Orchestra | Soprano, Tenor, and Baritone | 10-20 | Professional | fl/cl/bcl/asx, tpt, tbn,tba-perc, pf-str Solo Soprano, Tenor and Baritone voice |
| Love Expressions | Yes | Full Orchestra | 10-20 | Professional | 1111-1110-2perc-hp-pf-str | |
| Nightsongs | Yes | Full Orchestra | Mezzo | 10-20 | Professional | 1111-2000-timp-perc-hp-str Solo Mezzo-soprano voice |
| Ode to Life | Yes | Full Orchestra | 10-20 | Professional | 2222-4320-bstbn-tmp-3 perc-str | |
| Symphony No.1 | Yes | Full Orchestra | 20+ | Professional | 2[1.2/pic] 2[1.2/Eh] 2[1.2/Bcl]2-4221-tmp-3perc-str | |
| The Righteous Man | Yes | Chamber Orchestra | 20+ | Professional | 0000-2000-tmp-perc-hp-str SATB Chorus |
| Title | Work | Instrumentation | Level | Number of Movements | Accompanied | Size | Duration Range |
|---|---|---|---|---|---|---|---|
| A Major | Piano | 1 | No | Solo | |||
| A Minor | Piano | 1 | No | Solo | |||
| Ab Major | Piano | 1 | No | Solo | |||
| Ab Minor | Piano | 1 | No | Solo | |||
| Allegretto deciso | Piano | 1 | No | Solo | |||
| Allegro ma non troppo | Piano | 1 | No | Solo | |||
| Andante e poco rubato (blues) | Piano | 1 | No | Solo | |||
| B Major | Piano | 1 | No | Solo | |||
| B Minor | Piano | 1 | No | Solo | |||
| Bb Minor | Piano | 1 | No | Solo | |||
| C Major | Piano | 1 | No | Solo | |||
| C Minor | Piano | 1 | No | Solo | |||
| C# Major | Piano | 1 | No | Solo | |||
| C# Minor | Piano | Advanced | 1 | No | Solo | ||
| D Major | Piano | 1 | No | Solo | |||
| D Minor | Piano | 1 | No | Solo | |||
| D# Minor | Piano | 1 | No | Solo | |||
| Db Major | Piano | 1 | No | Solo | |||
| E Major | Piano | 1 | No | Solo | |||
| E Minor | Piano | 1 | No | Solo | |||
| Eb Minor | Piano | 1 | No | Solo | |||
| F Major | Piano | 1 | No | Solo | |||
| F Minor | Piano | 1 | No | Solo | |||
| F# Minor | Piano | 1 | No | Solo | |||
| Final Etude | Piano | 1 | No | Solo | |||
| G Major | Piano | 1 | No | Solo | |||
| G Minor | Piano | 1 | No | Solo | |||
| G# Minor | Piano | 1 | No | Solo | |||
| Gb Major | Piano | 1 | No | Solo | |||
| Infinitas | Organ | 1 | No | Solo | |||
| Loving Touches | Oboe, Piano | 1 | Yes | Solo | 10-20 | ||
| Offering of Love | Organ | 1 | No | Solo | |||
| Offertory | Organ | 1 | No | Solo | |||
| Prelude and Fugue | Organ | 1 | No | Solo | |||
| Romance in D Flat | English Horn, Piano | Intermediate | 1 | Yes | Solo | 5-10 |